Bertie Nosewhistler succumbed to the grim financial climate by having to pawn his trusty dummy a few weeks ago.
“Actually he was a foul mouthed little git so I wasn’t too sorry to be rid of him. My psychiatrist told me he was a grim expression of my matricidal tendencies. So he tended to be a bit of a downer.”
With necessity being the mother of invention Bertie has cut out the middle man (or dummy) in an unusual way.
“The audiences love the new show. They’re always surprised the first time they see it.”
Critics have been unstinting in their praise, describing Nosewhistler’s performance as ‘mindboggling’, ‘both terrifying and strangely satisfying,’ and ‘like a car crash you just can’t look away from.’
Agent Tommy Schnitzel says, “I think this show has legs. We’re thinking of taking it to Vegas next year.”
Dr. Abel Enabler (DIPdap, BMad), his Psychiatrist says, “Although this success can’t fail to bolster Bertie’s low self esteem, he has to watch that his negative manifestation ‘the dummy’ doesn’t become a part of him, effectively turning inward.”
“Because otherwise I might become a raging maniac,” Bertie giggled.
Q: How did you come up with the idea?
BN: I was loitering listlessly around the old bedsit looking for something else to pawn when I remembered my years as a contortionist at Rigley’s Circus. I thought to myself, Dang it! That’s the answer! And never looked back. Well, except of course to…
Bertie’s Bum and his Magical Hand, is playing at the Barking theatre. Children welcome.